This post has now been moved to my new dedicated print sales blog. Each post will offer different bodies of work for sale under a themed title. A full print description (for example “fibre silver gelatin” or “archivel lightjet” is given under each image including the price which varies depending on rarity, print type and size. Shipping is extra and is priced according to country of destination. Payment can be via paypal or a personal cheque if based in the United Kingdom.
Archive for the ‘Rollieflex SL66’ Category
Fibre Print Sale Clearance Sale (updated 06.05.11)
Wednesday, April 20th, 2011
Chaos, Flux, Pleasure and Decay | Brian Curtin in conversation with photographer Simon Larbalestier.
Sunday, December 12th, 2010In the November issue (no 176) of Thailand’s art magazine art4d, I share some of the latest project ideas with Brian Curtin, curator of the recent “Surface Depth” exhibition at the H Gallery in Bangkok.
Chaos, Flux, Pleasure and Decay | pages 66-67
Chaos, Flux, Pleasure and Decay | pages 68-69
Chaos, Flux, Pleasure and Decay | page 66 (detail)
Chaos, Flux, Pleasure and Decay | page 67 (detail)
Chaos, Flux, Pleasure and Decay | page 68 (detail)
Chaos, Flux, Pleasure and Decay | page 69 (detail)
A R C H I V E S | new dedicated blog.
Tuesday, October 26th, 2010A brand new online archives of my photographs dating from 1986 – the present day is now set up on its own dedicated blog with 20 new gallery pages: A R C H I V E S
"About" page from the Archives Blog
Wired: Best Album Art of All Time
Friday, June 25th, 2010Quote from Underwire:
Pixies: Come On Pilgrim, Surfer Rosa, Doolittle
Just as with The Velvet Underground, more bands (including Nirvana and Radiohead) were probably influenced by the Pixies than actually heard or saw the group during its ferociously productive heyday in the late ’80s and early ’90s. Those of us who did follow the Pixies around the country in those days were captivated by the brutal but beautiful music and art.
That graphically sonic merge was most capably illustrated on the Pixies’ EP Come On Pilgrim, full-length debut Surfer Rosa and crossover classic Doolittle, which featured deep and arty design and photography from Vaughan Oliver and Simon Larbalestier.
Like other stunning artwork produced for albums from the influential 4AD label, the imagery of the Pixies’ first three albums propelled alternative rock into the mainstream, where less talented bands like Nirvana built upon the group’s foundational artistry to achieve stratospheric fame. So-called alt-rock has sucked ever since.
Read More http://www.wired.com/underwire/2010/06/gallery-album-covers/14/#ixzz0rrSJxVSn
Come on Pilgrim 1987
Surfer Rosa 1988
Doolittle 1988
